Episodes 85 to 87 cover the tiny district called Pustervik and episodes 88 and 89 take us back east, through leafy expanses built on the former outer defence works. There is also an Intermission with extra stuff picked up over the course of the project.
Intermission
District: Nordstaden, Inom Vallgraven
Photo date: 1 May 2020 to 27 Feburary 2021
This is a collection of stuff I missed the first time round – and a blooper! When taking an establishing shot of the Fountain Bridge I accidentally caught a man urinating, in full view of everyone passing by. The stream is clearly visible in the photo but I masked it as I’m sure Youtube won’t allow anything that tasteless.
Episode 85: kv Kajaken, kv Röda Bryggan
District: Pustervik
Photo date: 16 August and 5 September 2020
Pustervik is the name of an inlet under the Otterhällan hill, just where the moat passed into the Göta river. West of this inlet was the old harbour and ship-building district, with lots of jetties and piers sticking out in the river. On old maps, the riverfront looks fringed, or comb-like.
In this episode, I included one block that belongs to district Olivedal or Masthugget – but the land here is actually the reclaimed Pustervik inlet, so it is right and proper to include it in this section. The Kayak was built as a customs warehouse, the precursor to the Freeport built across the river a few years later. It was designed by Karl Samuelsson right along the Rosenlund Canal, which was dug out to straighten the southwest end of the crinkly moat.
The block called Red Bridge is chock-full of history that is recounted in my sources, both books and digitals. The current buildings are not much to talk about, though, as all but one are very recent, and bland. Järntorgsgatan 2 was razed after this video was made and a new ultra-modern structure put up. It is not quite finished yet so it will be the subject of future Intermission.
Episode 86: kv Regeringen
District: Pustervik
Photo date: 5 September 2020
After I’ve made an architectural walk I often share the surprises I’ve found. Sometimes it’s a friendly cat, other times a person who strikes up a conversation when I tell them what I’m doing (architectural safari!), but mostly it’s a detail I’ve never noticed before. Like on the church in this block. Wow! It was designed by Lars Ågren of the firm GAKO, designers of many of the suburban concrete housing estates of the era.
The other fun building in this block is the former cinema. It was designed by Malte Erichs and has been an entertainment venue for a century. I only saw a few movies at Prisma as it was a bit out of the way for me and across the street lay the biggest and best theatre in town, Draken. Just before the cinema closed, I saw ”Little Dorrit” with Alec Guinness here, as part of the Gothenburg Film Festival 1989. Two movies with almost no intermission, hard to keep my eyes open at the end…
Episode 87: kv Kaponjären
District: Pustervik
Photo date: 5 September 2020
Pustervik only contains three blocks, and this last one was long un-built because it had a trench running through it until 1865. Five years later, the small clump of buildings designed by Hans Jacob Strömberg were put up. East of them was an open space, long a parking area, now a major construction site. As I write this, the contractors for the train station under Haga Church have just been fired and the tunnel work halted for the foreseeable future. Everyone saw this coming, even when the Turkish consortium won the bidding several years ago…
Episode 88: Kungsparken, kv Stora Teatern
District: Vasastaden and Lorensberg
Photo date: 22 September 2020
Where the King’s Park is today, state fortification master Erik Dahlberg laid out the outer defence works in the late 1600s. You might think a city wall, bastions, a moat and several small fortresses might be enough, but then you don’t know the Dane in the 17th century. A formidable threat! Outside the moat was a cleared space where no enemy could hide, and no obstructions for cannon shots. It was called ”glacis”, a term we still use when describing some types of earth reinforcement along railways. In 1823, the glacis was turned into four lines of trees with bridle-paths and promenades between. Some years later, the rest of the park was planted and it has withstood exploitation for two hundred years. Unless you count the motorway that runs through it…
The King’s Park is full of outdoor art and at the east end is a whole house dedicated to art. The Grand Opry was designed by Bror Carl Malmberg and is apparently an early example of opera houses of that time, the mid 1800s. Fredberg has A LOT to say about this theatre, it gets quite tedious, frankly. Among the productions I saw there was ”Don Juan” in 1983, as directed by Etienne Glaser. It was rather weird: the set designs consisted solely of ropes delineating empty space on the stage. Glaser’s experiences with this production were later turned into a movie by his wife, ”Bröderna Mozart”. This was the movie our prime minister Olof Palme had been to when he was shot in 1986. Also, Glaser is one of two persons I have written a fan letter to (and he replied!); the other one is Kenneth Williams.
Episode 89: Trädgårdsföreningen
District: Heden
Photo date: 27 August 2020
Fredberg gives a vivid description of this area before the park known as The Garden Assocation was established: miasma from the nearby slaughterhouse, morasses in the old glacis, robbers, drunks and prostitues. Tired of these conditions, and of seeing boring houses all day long, the city magnates decided to turn the reasonably wholesame meadow here into a garden centre, for promenades but also as a teaching facility and a nursery (and to move the slaughterhouse to a safe distance). The idea was to spread greenery in the city and in the new areas being planned for exploitation.
The garden has always been a favourite for gothenburgers, even today. So many pretty flowers, a lovely café in the rose garden, exhibitions, the greenhouses, birds… Recently, a number of cormorants have starte lining the shore along the moat, looking for fish. In the olden days, the park was also a dating central, and a place to be seen and admired. It had a fountain around which the glitterati would circle, as depicted by artist Ivar Arosenius.