Etikettarkiv: Burman

Builder, link in Turmalinen

Kvarteren Enen, Idegranen, Lönnen, Furan

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Episodes 156 to 160 contemplate heavy development in the 1890s and the 1960s, around a steep hill.

Episode 156: kv Enen

District: Vasastaden

Photo date: 17 April 2021

There are so many beautiful old houses preserved in this block. They are all described in fine detail in ”Vasastaden-Lorensberg”, page 318ff. One of them, at Haga Kyrkogata 28, has even featured in a major Swedish television series a few years back. Or so I understand, I never watched it myself. The TV show also borrowed 1950s and 60s type radios and television sets from the splendid radio museum on Hisingen.

The narration for this episode is pretty complete but here are some more facts. The farm Anneberg can be seen on an old photo in the City Museum database. The Fogelberg Park was originally called The Viewpoint but was quickly encircled by tall houses and later trees. There is no view to be had anymore, especially in the leafy season. Fogelberg was a sculptor who created the statue of Gustav II Adolf at the main square.

Episode 157: kv Idegranen

District: Vasastaden

Photo date: 25 April 2021

The Old Gothenburg site has an entry on the Society for Schools for Young Children. The rest of the block is also covered in the link for episode 156.

Episode 158: kv Lönnen

District: Vasastaden

Photo date: 25 April 2021

The posh villas along Föreningsgatan and the general history of the area is also covered by the Old Gothenburg site (and of course in ”Vasastaden-Lorensberg”). In the days when they were built, it was considered a rather long slog to reach the inner city where the banks and shops were. A trip to Örgryte was a full day affair!

Since I can’t read maps properly I accidentally included Södra Viktoriagatan 42 which is a separate block called Järneken (The Holly), and part of city block Pilträdet (The Willow) that was redeveloped in the 1960s. Sorry.

Episode 159: kv Furan part 1

District: Vasastaden

Photo date: 18 and 24 April 2021

The Jugend or Art Nouveau villa at Viktoriagatan 17 can be considered a part of the Officials’ area around Föreningsgatan.

Episode 160: kv Furan part 2

District: Vasastaden

Photo date: 18 April 2021

In 2023 I could take a good look at the back of Viktoriagatan 15 A/B, and even the inside! Because the rock-face behind the houses was in dire need of reinforcements, including rope work for scaling off loose stones and boulders, clearing away trees whose roots break away blocks, and installing rock bolts. The housing association representative was very interested and I lectured rather condescendingly at him: he turned out to be professor emeritus of structural geology…

The sad story of Gegerfelt and the speculators is told in full in ”Vasastaden-Lorensberg” and more narration is added at the Old Gothenburg site. CRA Fredberg also writes about the Eduard Magnus memorial that looked much prettier than the current institutional building from the 1950s.

The nude streetlight has recently been discussed in one of the Old Gothenburg fora. It is apparently a completely private light, put up in 1971 by the former owner of Vasagatan 7. And the city allowed it!

Kvarteren Vik, Nyköpingshus, Rydboholm, Avenboken, Björken

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Episodes 141 to 145 slog around long and lavishly decorated upper-middle class facades at Vasaplatsen.

Episode 141: kv Vik

District: Vasastaden (formerly Lorensberg)

Photo date: 28 November 2020

The Baptist Tabernacle, the Ladies’ School for Girls, pastry chefs and a celebrated man of letters. This block has it all! Including a full narration about design history.

Episode 142: kv Nyköpingshus and Vasaplatsen

District: Vasastaden (formerly Lorensberg)

Photo date: 5 December 2020

Fredberg and ”Vasaplatsen-Lorensberg” (e.g. page 218) write much about the history and the architecture in this area.

As you venture further from the inner city and further in time from the 1880s, lions on facades start to thin out and eventually peter out entirely. In Vasastaden they look very similar, probably because many of the decorations were mass-produced elements that could be added onto any new house. So the facades look unique and spectacular but really they are all much the same. Like teenagers…

One of the victims of the terrible tram crash of 1992 was Åsa Walldén, who had just finished writing a 16-page pamphlet about architecture in Kungsladugård. I’ve made heavy use of it in part 384 ff of this series.

Episode 143: kv Rydboholm

District: Vasastaden (formerly Lorensberg)

Photo date: 1 November 2020

On the south edge of Kungsparken is a string of smaller blocks meant to resemble the so-called patrician villas that dotted the park before the stone city of Vasastaden-Lorensberg was planned and realised. Most of these small blocks are designed as one entity, but some consist of two properties. In this block, the western half was built by the H Börjesson company in 1897 and the eastern half by O A Burman. But the facades for both halves were designed by Carl Crispin Peterson, son of Adrian. The style is described as Tudor Neo-Gothic.

Episode 144: kv Avenboken

District: Vasastaden

Photo date: 19 December 2020

On page 269 of ”Vasastaden-Lorensberg”, Staffan Sedenmalm writes about the so-called park blocks and the general design history of the area:

Under 1890-talets senare hälft fylldes äntligen den gapande luckan i stenstadsfronten mot parkbältet. Tio år efter tillkomsten av Wijkska villan – den enda privatbostaden i denna märkliga svit av nio kvarter – blev nämligen de fyra sista parkkvarteren, två på vardera sidan av Vasaplatsen, uppförda. Tre kvarter bebyggdes med två samgestaltade bostadshus vardera, två av kvarteren för olika byggherrar. Det blev en skarp kontrast mellan de äldre kvarterens aristokratiska arkitektur och de nya med ett borgerligare kynne. Mot 1870- och 80-talens nyrenässans, formad av mått- och formprinciper som övertagits från de gamla mästarnas läroböcker och översatt från två à tre palatsvåningar i naturlig sten till hyrespalatsens fyra våningar i stenimiterande putsornering, ställdes nu de fem våningar höga tegelborgarna med sin enklare vertikala indelning och en fasadbehandling som likställde våningarna i rang. Stil- och formmässigt fick liksom tidigare varje parkkvarter sin egen karaktär. Till detta bidrog tegelsorternas rikt varierade profilprogram och kulörer med möjligheter att kombinera samstämda toner. Ett verksamt uttrycksmedel i dessa tegelfasader, rikare på kulör än plastisk form, utgjorde järnbalkongernas organiskt sirliga konstsmide. Karaktäristiskt för 1890-talets parkkvarter blev de isärdragna fasaderna på kvarterens baksida – således exponerades bakgårdarnas påvra fasader mot Storgatan ovanför en stängselmur i fasadens arkitektur med en port till respektive gård. Såväl gårdsfasader som brandgavlar fick – med undantag av ett kvarter tillhörigt en inflytelserik organisation – en enkel beklädnad av grov spritputs.

Staffan Sedenmalm, ”Vasastaden-Lorensberg. KULTURMILJÖ AV RIKSINTRESSE I GÖTEBORG. Planering och byggande utanför vallgraven 1850-1900”, Länsstyrelsen Västra Götaland 2016:43

Episode 145: kv Björken

District: Vasastaden

Photo date: 23 January 2021

Opposite city block Rydboholm is another equally long block that takes a very long time to explore and document. Several big-name architects and builders contributed to the splendid facades towards Vasaplatsen and Vasagatan, as listed in the narration and the block’s entry in the blog about Old Gothenburg.

In the very early 1980s I went to yoga classes in a flat at Vasaplatsen 3. It was really big, some six rooms (and a tiny bathroom) with plaster decorations around the ceilings and all. It must have been really expensive even at that time. Since then, almost all flats around Vasaplatsen seem to have been converted to offices and clinics and dentists’.

Kvarteren Turmalinen, Agaten, Ametisten, Karneolen

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Episodes 127 to 130 lecture a bit on mineralogy and continue the tour through Jugend, National Romanticism and 1920s Classicism.

Episode 127: kv Turmalinen

District: Heden

Photo date: 28 February 2021

National Romanticism was a Swedish style that was popular in the early 1900s. It wanted to emulate the styles from when Sweden was great, Gustaf Vasa’s 1500s and the mid-1600s, and also romanticised Sweden’s agrarian heritage. The result was imposing red-brick buildings with decorations in the form of brick patterns, granite sculptures and reliefs, and copper details. It was also popular to build wooden houses, often dark and heavy. A prime example of this style is the Masthugget Church. We see a bit of this on the east side of this block.

On the other side of the block is Södra Vägen 32 which was designed by Hjalmar Zetterström in lightest Jugend style. He also designed Skånegatan 31 a couple of years later, tilting towards National Romanticism. The other Jugend houses along Södra Vägen were created by builder O A Burman and the splendid backdrop to Korsvägen by Robert Anderson Arelius in 1911. Jugend was a continental style, often with a focus on crafts and botanic shapes. On the continent it can be quite extreme, Art Nouveau, while in Sweden it can verge towards National Romanticism as our kind of crafts are heavy and dark, not light and airy.

Episode 128: kv Agaten

District: Heden

Photo date: 21March 2021

We continue with lots of Jugend built around 1910. Berzeliigatan 11 was designed by Frans Frise while numbers 13 to 17 came from the pen of Hjalmar Zetterström. Södra Vägen 24, however, was designed by Hjalmar Cornilsen. Phew, so many names!

Episode 129: kv Ametisten

District: Heden

Photo date: 28 February 2021

The middle part of this block was built later than the ends towards Engelbrektsgatan and Berzeliigatan. By that time, Lilienberg’s plans had come into force and National Romanticism was in full swing – which is very much in evidence along Wadmansgatan and Hedåsgatan.

Episode 130: kv Karneolen

District: Heden

Photo date: 28 February 2021

The first houses south of Heden were built in the 1890s, with imposing facades towards the city. The corner house at Södra Vägen 2 was particularly grand, built by Abraham Pehrsson and designed by Hjalmar Cornilsen.

Fredberg writes about Vassnöden and the Jamaica Inn. The style is lively, a bit sentimental, and with the old Swedish grammar that all young fantasy writers fail so miserably at mastering.