Kvarteren Gälakvist, Skaraborg, Läckö, Koberg, Gräfsnäs, Årnäs

Episodes 181 to 185 ramble around the Lorensberg villa-town and get all arty down by Poseidon, where Lexxians once gathered…

Episode 181: kv Gälakvist

District: Lorensberg

Photo date: 20 June and 25 September 2021

When my mother studied art history in the 1980s, the department was located in one of these houses, probably Bjerke’s studio, my memory is hazy. I do remember the premises felt a bit cramped, though.

Episode 182: kv Skaraborg

District: Lorensberg

Photo date: 20 June 2021

Albert Lilienberg planned the Lorensberg villa-town around a tiny square, Högåsplatsen, and made full use of the terrain contours for laying out the streets and plots. Earlier planning ideals would have laid out as square a grid as possible and instead made full use of dynamite to level the terrain – as is the custom today as well.

Högåsplatsen has a very light and airy feeling to it, also slightly English. Around it are all these lovely century-old houses: the villa where Ågren lived for 40 years before bequeathing it to the university; the only remaining wooden villa, typical of the time; the Mellgren villa that was taken over by medicos; and the rather stupendous Broström house with its nautical associations.

Episode 183: kv Läckö

District: Lorensberg

Photo date: 20 June 2021

The houses in Läckö are a few years older than Gälakvist and Skaraborg, and the shift in styles is very noticeable. National Romanticism gives way to 1920s classicism and Modernism is just beginning to be felt. We add a couple of names to our list of architects: Karl Severin Hansson and Karl Samuelsson.

Two recent houses have been added too, where the architects’ usual crede that new houses should only and totally reflect the dominant contemporary style has been vetoed, either by the city architect (unlikely, that office is utterly insipid) or by the powerful interests operating on this hill (more likely, Gothenburg isn’t nicknamed Graftenburg for nothing). The two new houses are at Bengt Lidnersgatan 7 and Ekmansgatan 5. The latter was designed by Albert Svensson in what must be called a Neo-Neo-Classical style, and can be seen in Intermission IIIb.

One of the big names on the hill was Ekman, a once very influential family of traders and magnates on a par with Dickson and Wijk. Their flame has somewhat gone out these days, though. But the house that bears their name here is quite spectacular, ushering in the 1920s style that would soon be seen in all the landshövdingehus districts springing up around the outskirts of town.

Episode 184: kv Koberg

District: Vasastaden (formerly Lorensberg)

Photo date: 20 June 2021

In Koberg we add another young architect, Ebbe Crone. The houses in this block are variously offices and housing associations. Most houses in the villa-town were residential when built and then turned into offices in the 1950s. Recently, quite a few of the offices have been converted back to residential use. But not the Builders’ Association, which is still very active in its offices in Villa Hertz.

Episode 185: kv Gräfsnäs, kv Årnäs

District: Lorensberg

Photo date: 6 June 2021

Finally, here we are at one of the major landmarks in Gothenburg, the Art Museum. The top of Kungsportsavenyen had long been left undeveloped because the city planners recognized that it had to be rather spectacular and not a whim or half-measure that would make everyone angry over the years. So it wasn’t until the 300th anniversary exhibition that ideas and plans finally gelled: they simply had to produce something for that event! And thus was borne the Gothenburg Art Museum, which together with the Art Hall next to it are the only structures in the area left of the exhibition. (My grandmother tells in her memoirs how she used to walk across the building site to get to school, and one day dropped a bottle of tadpoles in the excavated rubble…)

The museum contains the original Fürstenberg collection from the late 1800s, which is very typical of the time with animals and naked young women, several Dutch masters including a scary painting of the severed head of St John the Baptist, and modern sections including temporary exhibition areas in the extension designed by Rune Falk and the White Bureau. Both the Art Museum and the Art Hall were designed by Ericson and Bjerke, who together with Swensson and Torulf were responsible for the overall design of the anniversary exhibition.

Surrounding Götaplatsen were temporary strucures that were dismantled after the exhibition. It took a decade or more before the area was completed, with the iconic (yes, I use that worn word very consciously) statue of Poseidon, the City Theatre and the Concert Hall. Classicism and finest Modernism surround the open space, where political manifestations happen, music gigs take place and sports stars are given heroes’ welcomes. And Lexxians gather to sing the Brunnen-G song, at least we did a quarter of a century ago…

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