Episode 127: kv Turmalinen

District: Heden

Photo date: 28 February 2021

National Romanticism was a Swedish style that was popular in the early 1900s. It wanted to emulate the styles from when Sweden was great, Gustaf Vasa’s 1500s and the mid-1600s, and also romanticised Sweden’s agrarian heritage. The result was imposing red-brick buildings with decorations in the form of brick patterns, granite sculptures and reliefs, and copper details. It was also popular to build wooden houses, often dark and heavy. A prime example of this style is the Masthugget Church. We see a bit of this on the east side of this block.

On the other side of the block is Södra Vägen 32 which was designed by Hjalmar Zetterström in lightest Jugend style. He also designed Skånegatan 31 a couple of years later, tilting towards National Romanticism. The other Jugend houses along Södra Vägen were created by builder O A Burman and the splendid backdrop to Korsvägen by Robert Anderson Arelius in 1911. Jugend was a continental style, often with a focus on crafts and botanic shapes. On the continent it can be quite extreme, Art Nouveau, while in Sweden it can verge towards National Romanticism as our kind of crafts are heavy and dark, not light and airy.

Episode 128: kv Agaten

District: Heden

Photo date: 21March 2021

We continue with lots of Jugend built around 1910. Berzeliigatan 11 was designed by Frans Frise while numbers 13 to 17 came from the pen of Hjalmar Zetterström. Södra Vägen 24, however, was designed by Hjalmar Cornilsen. Phew, so many names!

Episode 129: kv Ametisten

District: Heden

Photo date: 28 February 2021

The middle part of this block was built later than the ends towards Engelbrektsgatan and Berzeliigatan. By that time, Lilienberg’s plans had come into force and National Romanticism was in full swing – which is very much in evidence along Wadmansgatan and Hedåsgatan.

Episode 130: kv Karneolen

District: Heden

Photo date: 28 February 2021

The first houses south of Heden were built in the 1890s, with imposing facades towards the city. The corner house at Södra Vägen 2 was particularly grand, built by Abraham Pehrsson and designed by Hjalmar Cornilsen.

Fredberg writes about Vassnöden and the Jamaica Inn. The style is lively, a bit sentimental, and with the old Swedish grammar that all young fantasy writers fail so miserably at mastering.